From Nick Swardson’s Instagram – “I have such nice friends sending me love from afar”

Thanks to @lynnsieishere for the head’s up.


Candid of Garrett and Nathan Followill
16 Jul, 2012

Just a quick note – there are some not safe for work moments in this video and some of it might be considered spoilery if you haven’t seen the movie yet or read the book.

Via Source

Video: New Clips from On the Road, Plus Interviews
16 Jul, 2012

Simone from Hedlund Brasil saved us all from the horrors of Google Translate and translated this article for us. Thanks, Si!

A candidate for James Dean in “On The Road”

At the age of 27, Garrett Hedlund was compared to the Hollywood heartthrob because of his wayward hero looks

RIO – Despite of the split that it provokes among the critics wherever it goes, Walter Salles’ “On The Road” has been praised, wherever it goes, for the same thing: Garrett Hedlund’s performance. At the Cannes Festival, where it was competing for the Palme D’Or, the actor, born 27 years ago in Roseau, Minnesota, was pointed out as a new James Dean, with his wayward hero looks. Known among Brazilians as the hero in “Tron: Legacy” (2010), Hedlund was cast to personify Dean Moriarty (the alter ego to Neal Cassady), a role that ignites all the turnarounds in the movie.

– Before shooting, Walter brought me to Brazil, where I flew on a hand glider and I could see Rio from up above. The view that you have is privileged – says Hedlund, on the phone with Globo, reminiscing about the beginning of his career, standing beside Brad Pitt in Wolfgang Petersen’s “Troy” (2004). – One day, when I was a kid, my mother made me watch “A River Runs Through It”, starring Brad, and said “See how well he does it. One day you might stand beside him.”

Faithful to the book, Salles’ version to “On The Road” follows the trips (geographical and hallucinogen-induced) made by Moriarty besides his aspiring writer friend, Sal Paradise (Kerouac’s alter ego, played by Sam Riley). They both share Marylou’s love, played by Kristen Stewart (Bella, from the Twilight series).

– I signed the contract for “On The Road” in 2007, long before I was called to work in “Tron: Legacy”, and we only shot in 2009. I was very scared to be too old for Moriarty’s role when we were shooting. But I spent so much time writing about my own experiences in the countryside that Walter though I had preserved the freshness that he wanted. At that moment I was going through a period of great dissatisfaction with my career and I had the chance to be with Walter in a project that revisited all the beat tradition. They expressed a universe that was completely different from mine – says the actor, that was in nine movies since his breakout role, including the box office hit “Eragon” (2006), with his idol, John Malkovich.

Proud of his association with Jane Fonda in “Georgia Rule” (2007), Hedlund says that he belongs to a generation of young people who left their homes through sport, to play football or run tracks, in schools and universities in other cities.

– Unlike us, Kerouac’s generation left their homes to discover the world through plain freedom – says Hedlund, who has just finished his participation in the Coen Brothers new movie, “Inside Llewin Davis”, set to be released in 2013. – Among the many good things about working with the Coens, there’s the fact that they came from Minnesota, like me. We have the same origins. And in the movie, I get to work with John Goodman and Oscar Isaacs.

Hedlund says that working with Salles has brought him closer to the south-american reality.

– Walter supports many Latin directors from the new generation. This work is just as important as the movies he makes.



A candidate for James Dean in 'On the Road'
15 Jul, 2012

Simone from our Brazilian sister site, Hedlund Brasil, was lucky enough to see On the Road today. She wrote a thoughtful review of the movie and she graciously gave me permission to share it here. – Laura

On the Road

The movie starts with steps. Whether you realize it or not, the steps have a rhythm of their own, and that rhythm – the bebop – permeates the entire movie, from these steps, to all the songs and dances, to the typewriting; there couldn’t be a more perfect rhythm, since it has no rules and it flows as it comes; it’s just as natural and rebellious and free-spirited as the characters. Walter alternates those scenes with moments when he throws us in complete silence; by doing that, he mirrors the characters’ stillness of mind, which often leads them to get back on the road, back in the unruly rhythm. They just cannot stand being still, although deep down all of them know – all of them, from the crazy ass maniac egoistic Dean to the 16-year old Marylou – that they’re going to have to stop, sooner or later. And when they do stop, it’s always painful to watch.

This is a movie that belongs to men. Sal is initially motivated by the loss of his father; Dean is looking for his old man as well. And Dean pulls all of them together, they’re connected by a sort of “mental lust” for each other – they want to be together and talk and experience and be connected and free in a way that few people understand. Their physical relationship is a mere consequence of all that.

That being said, the women in the movie are remarkable. Kristen plays a quiet, almost repressed Marylou. Don’t get me wrong here: sexually speaking, she’s open (no pun intended, I swear), but her emotions are always at the surface. The moment when they’re at Old Bull Lee’s house and Marylou realizes what kind of life she really wants is shot beautifully by Walter, and performed also beautifully by Kristen. Kirsten is a great Camille – a woman who knows what she wants, but falls prey to Dean’s charm nonetheless. And last, Amy Adams. She is by far my favorite supporting character in the movie. Jane is just… out of it, and Amy hits all the right notes.

The men are equally outstanding. Terrence Howard is in the movie for about 2 minutes, but it’s enough to leave his mark. Old Bull Lee is performed masterfully by Viggo Mortensen, from his first (and heartbreaking) scene. I liked Tom Sturridge more than I thought I would. Sam played Sal with sensibility and that subtle urge to experience new things and meet new people, and when he finally leaves, the old road gives him everything and also takes it all away. He could have used a little more energy, but I think that’s ok when your counterpart is a ball of fire – his role is a shadow, and he played it as such.

Which brings us all to the man who’s the reason why I went to see this movie in the first place, Garrett Hedlund. I have been a fan of his for a little more than two years (it definitely feels like more than that), and I’m not ashamed to say that I have reached a whole new level of respect for him as an actor after watching On The Road. He plays Dean Moriarty in a perfect, schizophrenic way. In most of his scenes, he is made of pure, raw energy; you get the constant feeling that unless he goes out and does something – anything –, he’s going to explode. However, even though his body is restless, his eyes always show a glint of melancholy, like he’s almost sorry to be losing something he’s not quite sure what it is. And in other scenes, he’s just plain sad and lonely. I didn’t cry, but my every time Dean’s eyes welled up, mine did too. We want him, hate him, love him, all at the same time. I guess it’s sort of how everyone feels about him. And if Garrett doesn’t land a couple of nominations, I will give up on understanding how these awards work. This is a performance to be watched and respected.

~ Simone

Hedlund Brasil's Review of On the Road
13 Jul, 2012

Eric was kind enough to share his encounter and pictures with Garrett on set of Lullaby.

Today (7/6), I stopped by the set of “Lullaby” in NYC. I waited around the actors’ and actress’ trailers for about an hour and saw Garrett (dressed casually) walk into hair and make-up. I asked the guy on set if Garrett would be able to sign anything for me, and he said “We’re running a bit behind, so we’ll be running around a lot, but if you can catch him on his way to set then yes. But I can’t make any promises”. About 20 minutes later, Garrett walked into his trailer (that said “Jonathan” on it), and then came back out a few minutes later. He just stood there drinking a coffee so I approached him and asked if he could sign a poster for me. He said, “Sure, of course”. He signed my poster and took a picture with me. I told him he has been my favorite actor for 7 years, and that it meant a lot to me for him to come out and talk with me. He said “Aww, what? No, thank YOU for coming out”. Before leaving the trailers to go on set, he held out his hand and asked, “what’s your name, brother?”. I introduced myself and as he walked away he said, “Thanks for coming out, Eric. Take care”. He was a complete gentleman and had no qualms signing or taking a picture. My year has been made! Thanks Garrett.

Thanks again Eric!

Fan Encounter: Lullaby On Set
tini ReTweet
07 Jul, 2012